
PROVOCATIONS
collective elaboration
challenging the hierarchies of artistic creation, authorship and performance practice by abandoning singular roles in favor of ritualistic, playful co-creation
geomusic
all music is now music of the anthropocene
creating worlds, with and through sound, to de- and re-center our understanding of our world and our being in the world
engaging phantom senses, ambient spaces, concealed assemblages and muted presences so that we might reveal new heroes (alien, mineral, vegetal, animal) and make use of the accidents
the sonic city
designing the experience of precarity, using sound to create speculate more inclusive and adaptive new environments
PRACTICES
concert music
DIY instrumentation
installation
sonification
feedback
sonic mapping
alien voices
adaptation
collective elaboration
repurposing
sonic fictions
PARTICIPATION IN AUDIOSOCIAL SPACES
Darmstadt Summer Courses [Darmstadt, Germany]
Instalakje Festival [Warsaw, Poland]
Resonant Bodies Festival [New York City]
DA+C Festival [Penang, Malaysia]
OpenICE [New York City]
Not Art Records Presents [Brooklyn]
COMRADES
The Atelier
International Contemporary Ensemble
Talea Ensemble
Naked Pictures of God
Chris Golinski
Matt Kline
Boaz Roberts
Ine Vanoeveren
Seth Parker Woods
INCUBATORS
University of California San Diego [Masters in Music Composition]
science fiction literature
DIY
hardcore
the ocean [adaptability, humility, wonder…]
The Book of Changes

Photo by Blaise Hayward