PROVOCATIONS

collective elaboration

challenging the hierarchies of artistic creation, authorship and performance practice by abandoning singular roles in favor of ritualistic, playful co-creation

 

geomusic

all music is now music of the anthropocene

creating worlds, with and through sound, to de- and re-center our understanding of our world and our being in the world

engaging phantom senses, ambient spaces, concealed assemblages and muted presences so that we might reveal new heroes (alien, mineral, vegetal, animal) and make use of the accidents

 

the sonic city

designing the experience of precarity, using sound to create speculate more inclusive and adaptive new environments 

 

PRACTICES

concert music 

DIY instrumentation 

installation 

sonification 

feedback

sonic mapping 

alien voices 

adaptation

collective elaboration 

repurposing

sonic fictions

 

PARTICIPATION IN AUDIOSOCIAL SPACES

Darmstadt Summer Courses [Darmstadt, Germany]

Instalakje Festival [Warsaw, Poland]

Resonant Bodies Festival [New York City]

DA+C Festival [Penang, Malaysia] 

OpenICE [New York City]

Not Art Records Presents [Brooklyn]

 

COMRADES

The Atelier 

International Contemporary Ensemble

Talea Ensemble

Naked Pictures of God 

Chris Golinski

Matt Kline

Boaz Roberts

Ine Vanoeveren

Seth Parker Woods

 

INCUBATORS

University of California San Diego [Masters in Music Composition]

science fiction literature 

DIY 

hardcore

the ocean [adaptability, humility, wonder…]

The Book of Changes

Photo by Blaise Hayward